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JERRY BRUCKHEIMER (Producer), one of the most successful producers of all time, is a filmmaker who loves telling a story. His films take us on incredible adventures, and when we leave the theater, we are enriched by the unforgettable characters, excited by the great stories and intrigued by the new experiences.

So we go back, and keep going back, to the films that begin with the lightning bolt. With worldwide revenues of over $12.5 billion in box office, television, video and recording receipts, Bruckheimer has earned the acclaim and respect of his industry and devotion of moviegoers throughout the world.

Bruckheimer has always been a storyteller. He started out with short ones--the 60-second tales he created as an award-winning commercial producer in his native Detroit. One of those mini-films, a parody of Bonnie and Clyde he created for Pontiac, was noted for its brilliance in Time Magazine. It also brought the 23-year-old producer to the attention of world-renowned ad agency BBD&O, which lured him to New York.

Four years on Madison Avenue gave him the experience and the confidence to tackle Hollywood, and not yet 30, he was at the helm of memorable films like Farewell, My Lovely and American Gigolo.

Also among those early projects was 1983's Flashdance. It made Jennifer Beals a box office star and retired the jumping jack forever, turning us all into aerobic dancers. It changed Bruckheimer's life by becoming a sleeper hit (grossing $100 million in the U.S. alone) and pairing him with an old acquaintance, producer Don Simpson, who would be his partner for the next 14 years.

One of the most prolific partnerships in recent motion picture history, Bruckheimer and Simpson produced films that were honored with 15 Academy Award® nominations, two Oscars® for Best Song, four Grammys, three Golden Globes, two People's Choice Awards for Best Picture and the MTV Award for Best Picture of the Decade.

Equally important to Bruckheimer as a creative force was the fact that the films were turning their stars into box office giants. Beverly Hills Cop launched Eddie Murphy's film career and Top Gun made Tom Cruise an international superstar.

Industry acclaim followed the box office success. In both 1985 and 1988, the National Association of Theater Owners (NATO) named Bruckheimer Producer of the Year. And, along with Simpson, he was chosen as 1988's Motion Picture Showman of the Year by the Publicists Guild of America.

By 1995, the team was producing one hit after another. In that year alone, Bruckheimer was responsible for Bad Boys, the Will Smith/Martin Lawrence film that was Columbia Pictures' highest grossing movie of the year; Michelle Pfeiffer's acclaimed Dangerous Minds, and Crimson Tide, the Denzel Washington/Gene Hackman adventure that, with Dangerous Minds, topped Hollywood Pictures' box office slate.

In 1996, Bruckheimer produced The Rock starring Sean Connery and Nicolas Cage. The film broke new ground and continued the established Bruckheimer traditions with a box office gross of nearly $350 million worldwide. It also set the video rental record as the most-ordered film in history. His casting of the film re-established Connery as an action star and created that same image for the intellectual Cage. The Rock, named Favorite Movie of the Year by NATO, was Bruckheimer's last movie with Simpson, who died during production.

Now on his own, Bruckheimer followed in 1997 with Con Air, a film that placed Cage in the stratosphere of international action heroes, and grossed over $230 million. It also earned a Grammy and two more Oscar® nominations and brought its producer once more to the attention of the international industry, when in 1999, he was awarded the ShoWest International Box Office Achievement


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