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NEVER BEEN KISSED

 
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At Theaters: 4/9/1999 On Video: 10/26/1999
Rated: PG-13 Length: 1 hr. 58 min.
Internet: Web Site Movie ID: 049903
Studio: Twentieth Century Fox
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Storyline Heading

Josie Geller is a talented copy editor who yearns to become a reporter. But when she finally gets her wish, it turns out to be the assignment from hell: Josie, a self-described "geek to the core," must go undercover at a local high school to report on today's teenagers. Now, at age 25, Josie must figure out her story, and a potential new love, while reliving her horrific adolescence.

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DETAILED STORYLINE
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Movie Type (Genre) Heading
Romantic Comedy - Never Been Kissed is a romantic comedy with its appeal geared towards teenagers. Fans of Drew Barrymore may want to see her in a larger leading role than most of her recent work; teenagers and young adults may be amused by the situations. Older viewers are more likely to find the film silly and obsessive over the traumas of adolescence, or may find the story and relationships generally underdeveloped. The pacing is lively enough to keep most viewers engaged and entertained, but the plot is probably too targeted at a young audience to appeal beyond its core audience.

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Cast and Crew Heading
Drew Barrymore (Ever After)
Molly Shannon (Analyze This)
David Arquette (Ravenous)
John C. Reilly (The Thin Red Line)
Director: Raja Gosnell (Home Along 3)
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Production Notes Heading
Make the Movie
The Premise
Ensemble Cast
The Look
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Content Heading
PROFANITY: Moderately strong and fairly infrequent
SEX/NUDITY: No explicity nudity or sexuality; some sexual discussion
VIOLENCE: Some comic or slapstick violence
DRUGS/ALCOHOL: One scene depicting marijuana use
ACTION: None.
COMEDY: Lots of fish-out-of-water comic situations
DETAILED CONTENT
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Critic's Review Heading
Below Average
I'm willing to forgive NEVER BEEN KISSED many of its failings because, for all practical purposes, it's a wish-fulfillment fantasy. It can get away with a lot, but it can't get away with this film's too biggest problems: it's lazy, and it's poorly cast. This story of a 25-year-old reporter returning to high school misses too many opportunities and leaves too much out of the development of its romance, then collapses under the weight of Drew Barrymore's uncomfortable lead performance. She's even less convincing as an adult than she is as a teenagers, forcing us to conclude that Barrymore (who also executive produced) was one of the film-makers living in a fantasy world where this film could work.

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DETAILED CRITIC'S REVIEW
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Opinion Heading

Based on an Exit Polling of 147 Moviegoers

Ages Age Group
How
Many
Your Probability of
Enjoying This Movie
*
Would
Recommend
Movie To Friends
1-12Children (M/F)
11
Very High
100%
13-19Teens (M)
13
Fairly High
100%
13-19Teens (F)
60
High
100%
20-29Yg Adults (M)
6
High
100%
20-29Yg Adults (F)
18
High
100%
30+Adults (M)
9
Fairly High
89%
30+Adults (F)
30
High
100%
*Possible Ratings: Very High, High, Fairly High, About 50/50, Fairly Low, Low, Very Low.

About Our Opinions

Be sure to read the DETAILED OPINIONS
The positive and negative comments made by moviegoers are very
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OPINION GRAPH


D ETAILED S TORYLINE

Josie Geller (Drew Barrymore) wants more out of life. As a bright twenty-five-year-old copy editor at Chicago's revered newspaper, the Chicago Sun-Times, she yearns to be a reporter. Josie is skilled at her profession, but completely clueless in her personal life. She was a brainy nerd in high school, a geek to the core - kids called her "Josie Grossie" - and she has never had a serious relationship with a man.

Josie has never, she laments, been really kissed.

But things are about to change for Josie - in ways she could never have imagined - when her dream to become a reporter becomes a reality. But her first assignment couldn't be more nightmarish: she must go undercover at a local high school to report on today's teenagers. Now, eight years senior to the oldest pupil in the class, Josie must figure out her story - and a potential new love - while reliving her horrific adolescence and negotiating high school's social and emotional land mines.

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