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Caden sees his life looking bleak at the local regional theater so he decides to take an ensemble cast into a warehouse where he hopes to create a masterpiece. Caden's deteriorating reality between the world of real and theatrical relationships blurs. He digs deeper into his masterpiece and only a celebrated theater actress who may offer him the break he needs.
Drama - Like all other films written by Charlie Kaufman, this is a strange,
surreal film with moments of absurd humor, but this is also a lot
darker and downbeat than his previous works, not to mention
potentially confusing for man. This is definitely not a film for
mass audiences but open-minded viewers who are into more
PROFANITY: Over 30 F-words, 5 S-words, 1 GD, very few others. SEX/NUDITY: Sex with related nudity. VIOLENCE: Bleeding cuts; some fighting. DRUGS/ALCOHOL: Some alcohol. ACTION: None. COMEDY: Dark, absurdist humor, often suggestive.
Berardinelli, Internet CriticFull Review Average I walked out of Synecdoche, New York feeling frustrated and a little cheated. If I look hard enough, I'm sure I could find something meaningful in the wreckage, but I don't feel compelled to dig through the detritus.
USA TodayFull Review Below Average The film disappoints terribly, too. The directorial debut of such an imaginative and clever screenwriter was a highly anticipated event.
Note: The rating
above is our interpretation of what the critic would give this movie based on
their review. We are not affiliated with these critic's in any way.
Theater director Caden Cotard (Philip Seymour Hoffman) is mounting a new play.
His life catering to suburban blue-hairs at the local regional theater in Schenectady, New York is looking bleak. His wife Adele (Catherine Keener) has left him to pursue her painting in Berlin, taking their young daughter Olive (Sadie Goldstein) with her. His therapist, Madeleine Gravis (Hope Davis), is better at plugging her best-seller than she is at counseling him. A new relationship with the alluringly candid Hazel (Samantha Morton) has prematurely run aground. And a mysterious condition is systematically shutting down each of his autonomic functions, one by one.
Worried about the transience of his life, he leaves his home behind. He gathers an ensemble cast into a warehouse in New York City, hoping to create a work of brutal honesty. He directs them in a celebration of the mundane, instructing each to live out their constructed lives in a growing mockup of the city outside.
However, as the city inside the warehouse grows, Caden's own life veers wildly off the tracks. Somewhere in Berlin, his daughter is growing up under the questionable guidance of Adele's friend, Maria (Jennifer Jason Leigh). His lingering attachments to both Adele and Hazel are causing him to helplessly drive his new marriage to actress Claire (Michelle Williams) into the ground. Sammy (Tom Noonan) and Tammy (Emily Watson), the actors hired to play Caden and Hazel, are making it difficult for the real Caden to revive his relationship with the real Hazel. The textured tangle of real and theatrical relationships blurs the line between the world of the play and that of Caden's own deteriorating reality.
The years rapidly fold into each other, and Caden buries himself deeper into his masterpiece. As he pushes the limits of his relationships, both personally and professionally, a change in creative direction arrives in Millicent Weems (Dianne Wiest), a celebrated theater actress who may offer Caden the break he needs.