FILL THE VOID
Director's Notes: Aesthetic
I knew that I was making a little film that takes place mainly in the home. The tools at my disposal
were the characters, the dialogues, the colors, and the frame. With me, this limited focus took shape
when I was making movies within the ultra-Orthodox community.
The lighting, soft textures, the frame... that was all the work of Asaf Sudry (cinematographer). I was
left to watch in awe and take pleasure in the fact that all too often he understood me better than I
even understood myself. Colorful costumes were a working assumption for the costume designer, but
she derived everything from the Hasidic world in a way that I never could.
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