RAMBO: LAST BLOOD
Almost four decades after he drew first blood, Sylvester Stallone is back as
one of the greatest cinematic action
legends of all time, John Rambo. Now, Rambo must confront his past and unearth
his ruthless combat skills to exact
revenge in a climactic and truly personal mission. A thrilling, intense and
gritty journey, RAMBO: LAST BLOOD presents
audiences with the opportunity to see this iconic character and reluctant hero
on the big screen for one final war.
Few characters have captured the imaginations of audiences around the world
like Stallone's John Rambo. The
character was introduced to moviegoers in First Blood, based on a novel by David
Morrell, as an elite Special Forces
veteran and war hero skilled in weaponry, hand-to-hand combat, survival tactics,
and guerilla warfare - none of which
could prepare him for his return to civilian life.
With the help of his former commanding officer, Rambo finds new purpose for
his formidable and deadly talents -
taking him back to Vietnam to rescue some of his imprisoned brothers-in-arms, in
Rambo: First Blood, Part II; to
Afghanistan, to come to the aid of his only friend, in Rambo III; and to
Myanmar, where he unleashes his fury to help
some captured missionaries and villagers, in Rambo.
After years of making his home in remote corners of the globe, Rambo made the
fateful decision to return to the
U.S., where we last saw him walking down a dusty path to a horse ranch, and past
a rusted mailbox inscribed with his
family name. John Rambo had finally come home.
RAMBO: LAST BLOOD picks up the character's epic saga, as we find Rambo
settled down, and living a quiet life
on his family's sprawling ranch in Arizona. Here he's found sanctuary and a
sense of belonging, sharing his home with his
adoptive family; Maria and her granddaughter Gabriela.
"We are taking a ten-year leap forward since we last saw Rambo," confirms
Stallone. "He has long been removed
from society but now seems to want to become a part of it. He's been accepted
into a family he loves, and wants to take
care of them."
Rambo has become a paternal figure to Gabriela, whose mother had long passed,
and whose abusive father had
abandoned her and never looked back. Alongside Maria, Rambo raised the young
girl as his own. To him, she is the only
thing that is pure and true in this world.
Now a teenager and curious about her past, Gabriela goes in search of her
biological father. She wants to judge
the man for herself, and nothing Rambo or Maria can say will dissuade her.
Leaving the ranch defiant and full of hope,
Gabriela travels to Mexico, but the reunion with her father ends in harsh
The next morning, when Gabriela doesn't return home, a primal instinct kicks
in for Rambo. He sets out to find
her, vowing to Maria he will not return without her. On his recon, Rambo's worst
fears are realized when he witnesses
Gabriela being drugged and abused by dangerous cartel members.
Fueled by guilt and vengeance, Rambo prepares for all-out war. They drew
first blood. He will draw last.
For Sylvester Stallone, returning to Rambo was an opportunity to explore some
unexpected facets of the
character, while retaining much of what has defined him. "Rambo had been so
isolated for so many years, and now he's
part of a family," he explains. "That dynamic helps you really understand how he
thinks and what makes him tick. This
film is quite different from the previous films; it's more personal."
"It's the first time we've seen Rambo in a family setting, and as close as
he's ever felt to home in a long time,"
adds director Adrian Grunberg, who had previously helmed the Mel Gibson-starrer
Get the Gringo. "That homelife opens
up a part of Rambo that we haven't experienced before in the franchise. We
wanted to depict a more human Rambo."
Bringing a newfound, if temporary, sense of humanity and homelife to Rambo
are Maria and Gabriela. Acclaimed
Mexican actress Adriana Barraza, who earned an Academy Award nomination for her
work in Babel, calls Maria "...a
strong Mexican woman. She has watched John Rambo grow older and understands he
carries a lot of pain, not only in his
body, but in his mind. The relationship between Maria and Rambo is really
beautiful." Barraza adds that working with
Stallone was a key draw. "He's an incredible partner, and when you look into his
eyes you can see the character's soul."
Notes producer Kevin King Templeton, a frequent Stallone collaborator: "It
was not easy to find an actor who
could capture the heart of the character. Adriana is really down to earth and a
gifted actor. We went after her for the role
and we are thrilled she agreed to join us."
Maria's granddaughter Gabriela is portrayed by rising young star Yvette
Monreal, who was recently cast in D.C.
Comics, Stargirl. Monreal says her character "is like a step-daughter to Rambo,
who he raised her as his own. Gabby
understands his PTSD and supports him. When she decides to find her biological
father, she travels to Mexico and doesn't
come back. Her disappearance alarms Rambo and he sets out to find her."
Even with Gabby and Maria's support, and a successful business and a stable
homelife, Rambo remains, at heart,
a wounded warrior - a living example of the old saying, you can't go home again.
War always finds John Rambo, even if
he isn't seeking it.
"Rambo may have come to terms with himself and found home and family, but
he's not settled," explains
Stallone. "There's no real comfort in his life at the ranch; his body is there,
but his mind isn't. He never wants to leave the
ranch. He can't get past the PTSD, and everything else he cannot reign in. Rambo
finds that life is its own kind of fight
and despite being home, he is still at the mercy of events beyond his control."
Helping Rambo navigate the perils of being a veteran he has created a series
of labyrinthian tunnels and a bunker
under the ranch, where he sleeps, relaxes, and keeps his few belongings and
memorabilia. "It's where Rambo feels, at
least partly, like he's still dug in, like in a trench," says Grunberg. "It's
where Rambo can release his demons. He
considers the ranch above the tunnels, which houses Maria and Gabriela,
representative of all that is good. The tunnels
are his private hell."
Production designer Franco Carbone adds, "Rambo doesn't do anything by half,
and the tunnels and bunker had
to be the ultimate man cave. It's such an extreme idea that underneath this
serene landscape and rolling hills is a maze
of underground tunnel systems."
The tunnels are among the lingering aftershocks from his time in combat and
his more recent missions. Stallone
says they serve as a kind of "therapy indicated for momentary lapses of war that
Rambo experiences. They make sense
only to him, but at the end of the film they do serve a purpose."
Where does a warrior make his last stand? "Rambo is trying to find an end for
his journey," notes Stallone. "He
realizes his job is protect his family; it's the only thing he's good at. But
Rambo knows if he's pushed, he's going to revert
back to his true self, even if that's the last thing he wants. He knows that if
what he cares most about is taken away,
then he is going to bring retribution, suffering, and death to those
The purpose to which Stallone alludes is that of turning his tunnels into a
kind of subterranean killing field, where
he retaliates against those who would bring death to his family. It's an epic,
vengeance-fueled showdown that is fast-paced, brutal, and intricate. "Rambo uses
his survival, stealth and weaponry skills, and his knowledge of the terrain to
create these brilliantly engineered traps and weapons, lure his prey to his
domain - the tunnels -- and hunt them down
one at a time," notes Grunberg. "But here the stakes are even higher than they
were for him during warfare, because
they're grounded in personal loss, grieving and revenge."
Stallone, Grunberg and second unit director Vern Nobles, who's worked with
Stallone for over 25 years, designed
the climactic set piece as an amped-up and visceral return to the kind of
survival skills we saw Rambo employ in First
Blood. The sequence is marked by a mix of spectacle, rapid-fire action, and
savage and merciless executions. "There are
many kills, each designed with a beginning, middle and an end," Grunberg
explains. "We see Rambo prepping each
deadly trap, which you can trace back to when you see the kills; you have
anticipated and envisioned what Rambo is
going to do with each trap. We hope it's an exciting and breathless experience
for the audience. They go by quickly
because they've already been set up. It should be very gratifying to watch."
"You don't see Rambo with two rocket launchers in each hand, blowing
helicopters out of the sky, like he's done
in some of the previous films," says producer Les Weldon. "This is the Rambo we
met in First Blood, who uses his skills
and environment to hunt and trap his prey. There is still plenty of action,
gunplay, and vengeance, but it's all more
grounded in reality. This is a Rambo that is going back to his roots.
Bringing the final chapter in the saga of an iconic hero and his journey to
moviegoers around the world was an
unforgettable experience for the cast and filmmakers. "This film closes a circle
for the character and series," Grunberg
sums up. "We really wanted to honor Rambo and all the films by creating a
slightly different kind of action movie and
story that combines everything audiences love about the character, while putting
him in a new environment, and against
an enemy unlike any he's battled. And for those new to the films, we hope
they'll go back and experience what led
Rambo to this last war."
The artist who embodies this legendary figure promises that this closing
chapter of an over-30 year cinematic ride
will give audiences a jolt unlike any they've experienced with the franchise
before. "RAMBO: LAST BLOOD will tap into
something that never changes: the heart," says Sylvester Stallone. "At the same
time, the story builds and builds to a
finale that is seismic, volcanic - and very satisfying."
RAMBO: LAST BLOOD was filmed in Bulgaria and Tenerife, Canary Islands.
Production was based at Nu Boyana
Studios, in Sofia, Bulgaria, which served as the production offices, as well as
home to the art, costume, VFX and SFX
departments. Sets that were built on the stages at Boyana included Rambo's
network of underground tunnels and bunker.
Production also utilized the studios' new underwater tank for the scenes in
which Rambo's mountain trail is submerged
during a vicious storm, and he comes to the rescue of some stranded hikers.
Production filmed inside Vranya King's Palace, the former home of the royal
family of Bulgaria, to capture scenes
inside the seedy brothel where Rambo discovers Gabriela is being held captive.
Scenes set at Rambo's Arizona ranch were captured at a working horse ranch in
the Vitosha National Park on the
Balkan Peninsula. The weathered ranch home was built from scratch on location.
"The house and barn look like they have
been there forever," says Monreal. "It is important to feel your surroundings
are believable because it brings so much
more life into everything you say and do. They are the foundation of the scene
and the attention to detail has been
incredible. My greatest pleasure has been working on the ranch."
All the exterior scenes set in Mexico were filmed in Tenerife, in the Canary
Islands. Notes Carbone: "I thought it
was going to be a challenge to dress and create Mexico in Tenerife. But when I
walked into Santa Cruz and saw the
favelas that are perched on the hillside, it was perfect: the colors, textures,
and Latin/Spanish culture, it's all there.
Weldon adds, "Tenerife is amazing in terms of the variety of landscapes and
backdrops. You can be on the beach
in the morning and then drive up the mountain through the greenest pine forest
you have ever seen; drive a little further
and you are in Arizona-like desert, rocky and red. You go further still and it's
like you are on the surface of the moon. It is
an incredible place to shoot a movie."
Santa Cruz's Barrio Nuevo neighborhood doubled for the Mexican Favela streets
where Rambo experiences the
wrath of the Martinez brothers. It stands out for being one of the capital's few
neighborhoods built on a steep slope.
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