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About The Film
"I think Ghost Rider is one of the most unique mythologies in the comic book universe," says Nicolas Cage, who brings the classic Marvel comic book character to life in Columbia Pictures' Ghost Rider. As the Devil's bounty hunter, the Ghost Rider's supernatural thrills are a perfect match for Cage's intense and engaging persona. "He's a complicated character who makes a decision to sell his soul to the Devil, but he does it out of love, not out of greed or personal ambition. To me, that is really rich material to play with. This scary-looking guy really is a hero."

For director Mark Steven Johnson, who previously wrote and directed the hit comic-book adaptation Daredevil, bringing Ghost Rider to the big screen was the culmination of a lifelong love of the character. "I've been a huge comic-book fan from the time I was in third grade,” says Johnson. "I got comics every week: ‘Daredevil,' ‘Spider-Man,' ‘X-Men' – all of them. ‘Ghost Rider' was one of the most visually interesting, and, in my opinion, the coolest character.”

With such visually striking source material, Johnson was determined to make a creative and stylized film that did it justice. The result is a film that captures the arresting images of the comic book while it reinforces the moral choice forced upon the character. "The look of Ghost Rider was so amazing – it makes him one of the most memorable characters in the Marvel universe and can't be improved upon,” he says. "It was our job to bring it to life. Our production designer, Kirk Petruccelli, and visual effects supervisor, Kevin Mack, were up to the challenge, and they have created a stylish world unlike any movie I've ever seen.”

The result is a film that represents the culmination of a search for the right team to adapt the comic book. "We've been trying to bring ‘Ghost Rider' to the screen for a long time,” says producer and former Marvel CEO Avi Arad. "Just trying to catch the right tone, the right script. When I got Nic onto the project, it began to take shape. It's incredibly gratifying to see a project through from initial casting to completion."

Behind the camera, one of the first on board was producer Michael De Luca, who is also an ardent comic-book fan. As a young head of production for New Line Cinema, De Luca worked with Arad on the first movie adaptation of a Marvel property, the highly successful Blade, starring Wesley Snipes. Then, after the success of director Mark Steven Johnson's adaptation of "Daredevil,” it was clear that the time was right to bring "Ghost Rider” to the screen. According to De Luca, the character was in good hands. "When a writer-director like Mark is in creative control of the vision of the film, it's an advantage in every way,” he says. "Mark loves comic books – he's the perfect person to make the leap from the two-dimensional printed page to the three-dimensional movie screen. I think the character has always intrigued him because it's so visual – the Ghost Rider is such an arresting image.”

"Obviously, Mark is a comic-book geek, but he's also a sensitive guy who's not afraid of emotion, which I think is hugely important in filmmaking in any genre,” says producer Gary Foster. "He has the enthusiasm he had as a kid and all the knowledge of someone who loves every detail and nuance of these characters.”

In addition to the visuals, the filmmakers were also attracted by the possibility of presenting a different kind of comic-book hero on the screen – one whose evil visage belies his good intentions and unique personality. According to Johnson, Nicolas Cage was the only actor who could pull off such a multi-faceted character. "I think the very best horror movies and thrillers are full of humor,” says the writer-director. "You need to release the tension. Having Nic Cage on board really cemented that, because he is naturall

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