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ACROSS THE UNIVERSE

Investigating The 60s
Julie Taymor, the groundbreaking visionary behind Revolution Studios' new film Across the Universe, says that she first conceived a film that would, in her words, "investigate the ‘60s. It had to penetrate all levels of the Beatles' songs. From the love songs to the political songs, the music and the film would not just reflect the microcosm of a character's experience, but, from my perspective, would also represent the macrocosm of the events that are happening in the world.”

For Taymor, though the film is set a generation back, making the story and the film fresh and alive for today's audiences was the entire point. "I really want young people to see the passion in this movie – to see with what fervor these characters invested themselves into social movements as well as self-exploration,” she says. "I hope it really speaks ‘across the universe' and across cultures... that anybody could identify with the situations and the events that are happening in this movie.”

According to producer Jennifer Todd, the film is an artistic statement from Taymor. "In addition to being a unique voice, Julie is the hardest-working director I've ever worked with,” she says. "It's an amazingly satisfying experience to work with someone who lives and breathes the movie morning, noon, and night. One particular weekend, we went away and came back to discover that an entire new sequence had been invented. Because she's like that, she attracts people who want to work just as hard to achieve her vision.”

Producer Matthew Gross, who generated the project, concurs. "Julie is a national treasure,” he says. "She is a true artist – not only does she bring visual appeal, but she has just the right touch with the singers and dancers, which was so necessary for this film. The work she did in Titus and Frida show her incredible vision. In addition, because everyone wants to work with Julie Taymor – and with good reason – she is able to attract top artists and amazing talent to work with her. She is a tremendous asset to the film in every way.”

Unlike most musicals, where a story comes first and songs are inserted in at key points, the songs created the story. "Beginning with over 200 songs written by the Beatles, we eventually chose 33 that we felt best told the story of a generation and a time,” says Taymor.

Todd explains, "The film is an original musical and it has an original story – one you've never seen before, inspired by Beatles' music in a way that you haven't heard before.” "The entire concept of this musical,” Taymor explains, "is that the lyrics will tell the story. They are the libretto, they are the arias, they are the emotion of the characters.” Although Taymor was only in her early teens in the 1960s, the story was inspired by her childhood observations:

"Lucy and Max, the brother and sister, are modeled slightly after my own older brother and sister, and I'm Julia, the young girl who's watching. During that time, I was a voyeur to what my parents were going through with teenagers and then college students who were going through the radical political movement: the draft, the hippies, the drugs. And so I was there – I didn't get immersed myself, but I watched it.”

Taymor admired the outspoken spirit of the time. "People really took chances,” she says. "As Lucy says, ‘I'd lie down in front of a tank if it would bring my brother home from the war.' And of course Jude responds, ‘But it wouldn't,' and she gets upset and she says, ‘Does that mean you don't think I should try?' I'm so moved by the fact that at that time, people would try.”

But Taymor definitely did not view the project as a piece of nostalgia. She notes that many of the issues facing young people in the ‘60s are still very relevant today. The filmmakers' goal was to translate the passion and feeling of the 60s and have it

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