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Folies Bergere
"The film version of NINE is a complete re-invention. It is so wholly unique to the vision of Rob Marshall that it became its own journey creatively,” says producer Marc Platt (WICKED), a veteran of both film and Broadway. "While it is true in essence to the Broadway musical, NINE the movie has become very much its own thing. It keeps in mind the essence of what made us all fall in love with the original material—its spirit and voice—but then Rob made it his own. His NINE is a wonderful fantasy that deals with real ideas and emotions.” 

Rob Marshall is no stranger to fusing Broadway classics with cinematic verve, which he did with CHICAGO. As a six-time Tony Award® nominee for such shows as CABARET and KISS OF THE SPIDER WOMAN, his stage acumen is well known, but he is just as highly regarded as a filmmaker, most recently bringing Arthur Golden's bestseller MEMOIRS OF A GEISHA to life on screen, and garnering multiple Oscar® nominations. 

Platt continues: "Rob has a unique background for this story in that he came from the world of the theatre as a dancer and choreographer, made the leap into directing for the theater and then became a film director. NINE is a film about a filmmaker, about the cinema and about creating, and Rob is a creator, so it was personal for him. He's a man who understands cinema, its history, its academics, the technical aspects of directing a film, and the aesthetics. He also comes from the world of musicals—he grew up in that world, he understands how music moves narrative along. He understands how to integrate seamlessly the elements of music and dance, storytelling and design. In, that sense the movie NINE is the perfect marriage of director to material.”

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