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A New Elm Street
Nine, ten, never sleep again…

Working with production designer Patrick Lumb, Bayer sought to use the locations to create a familiar suburban world so safe that Freddy's intrusion is all the more jarring. By contrast, Freddy's world was in part inspired by the dark, fantastical paintings of late 18th/early 19th-century Spanish artist Francisco Goya. "What we tried to do was to base the dream world on the real world, and craft rich and exciting transitions between them,” Lumb states. "Working on dreamscapes and inventing a world around Freddy was one of the great joys of this project for me.”

The filmmakers found their classic Midwestern town in Chicago, Illinois, and surrounding suburbs, as well as neighboring Gary, Indiana.

With all the principal characters being students at Springwood High School, the production utilized two local high schools: John Hersey High School in Arlington Heights, a northwest suburb of Chicago, for interiors; and Elk Grove High School in nearby Elk Grove Village, for exteriors and establishing shots.

The filmmakers shot during school hours, and enlisted hundreds of students and teachers to become background extras for the various sequences shot at the high schools.

In addition to exteriors, Elk Grove also offered a cavernous indoor swimming pool, where Quentin is a swim team member of the Springwood Mustangs, with his fellow swim team members being played by Elk Grove's water polo and swim teams.

The second week of filming took place entirely in the historic neighborhood of Jewel Park, a circa 1920s upper middle class suburb in the village of Barrington, Illinois. Linden Road, a winding street lined with large two-story homes, portrays the film's iconic Elm Street, where Nancy and Kris's homes are located across the street from each other. In homage to the original "A Nightmare on Elm Street,” Nancy's home was numbered 1428 Elm Street, the same address Nancy had in the original.

One of the most cinematic and creepy locations was the historic City Methodist Church in Gary, Indiana, an abandoned nine-story tall English gothic church, which now sits in picturesque ruins. This became the setting for one of Quentin's encounters with Freddy Krueger.

Freddy's most personal space is the steamy, fiery boiler room, a specter of the "A Nightmare on Elm Street” mythology. These sequences were filmed over four nights at a power station in South Chicago. The multi-level industrial facility was outfitted by the film's art and special effects departments to feature vintage boiler room equipment as well as steaming pipes, smoke, fire, dripping water, and big chains where Freddy could hang his victims.

The production also utilized the historic former ACME Steel plant (now the Beemsterboer Steel Plant) and nearby training center in Chicago, which the art department transformed into the Badham preschool, where Fred Krueger worked as a caretaker 15 years earlier. "The steel plant was very industrial and down and out, but it was perfect for us,” Lumb remarks. "We did an extensive amount of work on the exterior and the interior. The classrooms were all fabricated from the doors, to the color on the walls, to the flooring, and everything else. One of the nice things about the preschool set is you feel a little bit enclosed. It's kind of ominous in a way because it's similar to a jail cell, but at the same time you can ‘friendly it up' to give the illusion of safety, even though it's anything but safe.”

Other notable Chicago area locations included Bluff City Cemetery, a late 19th century gothic cemetery in Elgin; Powell's Bookstores in Chicago's Lincoln Park neighborhood; Michael Reece Hospital in Chicago; Hawthorne Pharmacy in Cicerop; and the ultra-modern Orland Park Police Station in Orland Park, the first LEED (Leadership in Environmental Design) Gold Certified Police Station in the U.S.

Many of the


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