About The Production
Meet Fred, Wilma and Bamm-Bamm:
Journey to the Big Screen
In 1988, the lack of smart phones, online social networks and instant wireless
meant that news didn't move as fast as it does today. But as cable television
and satellite transmissions found wider audiences, the world was realizing that
information no longer resided wholly in morning papers or on the nightly
newscasts of the three major networks. Into this new era came stories we could
watch around the clock. And for three California gray whales that became trapped
off the coast of Barrow, Alaska, during their annual migration in October of
that year, this was helpful news indeed.
One onlooker of the unfolding rescue was journalist Thomas Rose, whose book
"Freeing the Whales" was published in 1989. Rose's story, originally released as
an article in the now defunct Spy magazine and later lengthened into book form,
chronicled the events surrounding the tremendous rescue effort on behalf of the
three ice-locked gray whales off the shores of Barrow. When a local news
photographer sent video coverage of the animals breaching in a small breathing
hole hewn from thick ice, footage found its way from the bureau desk in
Anchorage all the way to NBC anchor Tom Brokaw's national evening newscast.
Soon, the plight of the whales captured international interest and resulted in a
media frenzy that overtook the small city. The residents of the northernmost-and
perhaps coldest-town in America were inundated with press. For a sleepy whaling
town coming to grips with a changing way of life, this would be one of the
biggest mixed blessings to present itself all century.
But it wasn't just the Fourth Estate that had a vested interest in this
human-interest tale. The story caught the attention of the Reagan White House,
then focused upon the upcoming November election campaign of Vice President
George H.W. Bush. Looking to position Bush as a pro-environment candidate and
engage the federal government in the humanitarian effort, the Reagan team
enlisted the aid of staffer Bonnie Mersinger, the executive assistant for
cabinet affairs, in its efforts. "President Reagan stopped by my office in the
West Wing that night,"recalls Bonnie Mersinger Carroll, technical advisor for
Big Miracle. "He had seen that the National Guard was involved, and he wondered
what the White House could do to help. Since I was also a Guardsman, he asked
that I extend his offer of help to the Alaska National Guard. And that's how I
met Tom Carroll."
Col. Tom Carroll was serving as commander of one of the major battalions of the
Alaska National Guard when he received a barrage of phone calls from Mersinger.
Although initially put in charge of moving a behemoth hover barge across the ice,
Carroll soon found his mission to be impossible and suggested the use of a
Soviet icebreaker for the rescue of the pod of whales. "This was before the
Berlin Wall came down," says Mersinger Carroll, "so this contact between America
and the Soviet Union would prove extraordinary. It was a step toward world peace
at the time."
Little did Mersinger and Carroll know that their many phone calls would spark a
romance between the two, who later married. According to Mersinger Carroll: "Tom
saw an opportunity to bring together the military, Alaska natives, oil
companies, Greenpeace and even the Soviets. He was quite at the center of what
became a miraculous operation in cooperation."Sadly, several years later, then
Brigadier General Carroll was killed-along with seven other soldiers-in an Army
National Guard plane crash in the wilds of his beloved Alaska.
From this experience, Mersinger Carroll went on to form the national
organization Tragedy Assistance Program for Survivors (TAPS), a front line
partner with the Defense Department offering comfort and care to the families of
America's fallen military heroes.
It wasn't until 1992 that Rose's story of sensationalism, camaraderie and
humanity caught the attention of fledgling television writers Jack Amiel and
Michael Begler. Though curious about the story in '88, their attentions were
then elsewhere. "My sister, Andrea, was working for Dan Rather at CBS News," recalls Amiel.
"She thought the story would spark our interest as the basis for a film,
although Michael and I were focused on writing for television at the time."
The screenwriters kept Rose's story on the back burner and revisited it in 2001,
when they were establishing themselves as feature-film writers. They purchased
the rights to his book and renewed them for nearly a decade as they wrote drafts
of the script.
"Our source material was Rose's book and the news footage of the time," adds
Begler. "But a lot of what we wrote was very real. We had to embellish and
create new characters to form the story, but we wanted to stay consistent with
what really happened for two long weeks out on the ice in 1988."
The fact that two of the whales were eventually freed and returned to the open
ocean made the story an overwhelming media favorite. Topping it off was the fact
that-in an unprecedented thaw in the Cold War above the Arctic Circle-two
superpowers put aside their differences and worked together for the good of the
"The American icebreakers had all been waylaid or placed in dry dock by
October," explains Begler, "so the Soviet ship was the only one available. The
use of the Soviet ship was a big gesture from the Reagan administration and the
Gorbachev government. Cooperation also made them both look good to a watching
and waiting world."
Director Ken Kwapis, who guided films such as He's Just Not That Into You and
The Sisterhood of the Traveling Pants into big hits, came aboard the project and
helped to shape its story line. "We very much had a satirical media focus in the
first drafts," remembers Amiel. "Ken brought a vision with him that added a
kindness and humanity to the story. We opened it up and brought in other
characters and points of view."
The actual events of 1988 were not burnished in Kwapis' mind, but he viewed the
story as an opportunity to show the rescue from multiple perspectives. "I was
very surprised to find out what a fuss these three whales caused," he says. "Our
story covers the media circus that descended upon the trapped whales, but its
main focus is the unlikely coalition of rescuers that put aside their various
agendas in order to accomplish an impossible task."
The writers took the screenplay to the principals of their management company
Anonymous Content, Steve Golin and Michael Sugar, who also helped to shape it.
Eventually, both came onto the project as producers, alongside Tim Bevan and
Eric Fellner, co-chairmen of the feature's production company, Working Title
"Michael brought the script to my attention," recalls Golin. "I felt like
this could be a movie about people working for common goals, even if they did
not agree philosophically. Ken understood that tone of the film. He brought a
sense of humor and an everyman touch, while also seeing it as a moving,
emotional and inspirational story."
Although Rose's book dates back to the late '80s, Sugar believed that Amiel and
Begler's script could have been drawn from today's headlines. "We thought that
given what was happening in the world at the time, this story would resonate
well in the present," says Sugar. "Even though it is several years old, it is
relevant as a st
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