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Production Information
This is as real as it gets.

Andrew, Matt, and Steve are recognizable teens, each with a distinctive personality and each facing relatable challenges that come with being in high school, forming new friendships, and exploring new facets of their ever-changing lives. They're imperfect, awkward, and a little reckless.

They could be you.

Like so many of us, they're obsessed with chronicling their lives, however mundane - or in their case, however extraordinary. For Andrew, Matt and Steve have stumbled upon something beyond their - or anyone's - understanding. Their discovery leads them to acquire powerful telekinetic abilities; in graphic novel parlance, they have superpowers.

They're now capable of, well, almost anything. They can move objects just by thinking about them, crush cars through force of will. They learn to fly…the ultimate wish fulfillment.

Then things get dark.

What would you do if it happened to you? What would you be capable of?

Those are the intriguing questions posed by CHRONICLE, a new film unlike any you've seen before. It's a superhero movie that's not really a superhero movie. On the surface it belongs in the relatively new sub-genre of "found footage" or "P-O-V" films, but it turns their conventions on its head. It's thrilling, yet relatable; rich with creatively conceived and executed camera work and visual effects, but grounded in reality.

So, what would you do if you suddenly obtained abilities beyond comprehension? Would you don a special suit, fly off, and battle evildoers? If you were a teenager, the likely response would be: hell, no. You'd have a blast with them, pull elaborate pranks, and maybe exact revenge on those who've wronged you. Maybe those powers would amplify your less noble qualities. Or worse.

"In most stories, superpowers are generally applied to good and evil, but in reality they'd be applied to necessity," says Josh Trank, who makes his feature directorial debut and also co-wrote the story with Max Landis. "And when you're a teenager, necessity is really about making yourself happy. You'd want to laugh and have a good time with those powers."

Trank was determined that CHRONICLE wouldn't be "your father's P-O-V movie. The story is very grounded; it's not a fantasy or genre film; it's a story about young people. It's about real teens and not caricatures of young people. Their lives are anything but perfect. We get into their world and discover their challenges, long before anything extraordinary begins to happen. By the time the guys have obtained their powers, that element is so firmly woven into the story and characters that the film segues into an exploration of how they come to terms with those powers."

Adds Max Landis, who wrote the screenplay based on his and Trank's story: "I think CHRONICLE is going to give audiences an experience, from which they'll leave the theaters, thinking, that's exactly what I would have done if I had telekinetic powers."

Producer John Davis notes that CHRONICLE is anything but "cookie-cutter," and fills a need for bold, non-traditional storytelling that speaks to today's audiences. "It's really fresh and different," says Davis, who has known screenwriter Landis since the latter was a child. "CHRONICLE represents a unique vision that has remained intact since Josh and Max first discussed the concept. It takes familiar concepts, like superhero and 'found-footage' films, and takes them in new directions."

The title itself speaks to our obsession with self-documentation, through social networking or even by just carrying around a camera and recording our lives, simply because we have the means to do so. "We live in a world where you can film anything you want to, at any time," says Trank. "There is an emerging aesthetic from this generation. Kids in high school today are the most self-photographed people in history. Almost everyone has a camera in some form, and are uploading images every few seconds to social networking sites. So we're seeing more films inspired by this new style of shooting."

Trank, whose experimental short film "Stabbing at Leia's 22nd Birthday" was an online sensation amassing over ten million views, embraces this new aesthetic with a vengeance, while dialing up its potential and impact. "Josh's work in CHRONICLE is the next step in that kind of storytelling," says producer Adam Schroeder. "We've seen movies that have made extensive use of someone's point of view and hand-held cameras, but never in the way we use the camera here. It's more than a device to tell a story; it's a character, or an extension of our lead character."

Most of the film is told through the point of view of Andrew, a troubled but creative young man with a keen visual eye and a high-quality HD camera. "So, CHRONICLE is not really a conventional 'found footage' feature," says Trank, referring to the often grainy-looking "shaky-cam" movies. "Instead, we wanted a very controlled, thoughtful looking movie, seen through the eyes of a talented young man. There's an intelligence behind the way Andrew operates his camera and captures increasingly incredible events."

Andrew's newfound telekinetic abilities add an unexpected dimension to his camera operating skills, which give CHRONICLE a one-of-a-kind look and texture. "Andrew begins operating his camera telekinetically, which opens up his entire world," Trank explains. "His camera is, in a way, attached to his brain, and he's able to make it float, fly and capture action in a unique way. Halfway through the film, you realize you're watching something you've never seen before, and then in the last 15 minutes, it just becomes insane. It's constantly evolving, from the intimate and grounded to the epic and unexpected."

As the film opens, Andrew is revealed to be an introverted, socially awkward teen who even before he becomes telekinetic, seems to be attached to his camera. It's the only thing to which Andrew is connected. "He's the 'fly-on-the-wall' kid who everybody in school kind of knows, but they either ignore or bully," says Trank.

Andrew evolves from teenage insecurity to full-blown narcissism in a way that could happen to anyone facing his extraordinary circumstances. Says Dane DeHaan, who portrays Andrew: "When you're given the ultimate power, and if you're experiencing something that nobody has ever experienced, there's a certain God complex that comes of that."

"Andrew is a loner, but he's visually creative," adds Trank. "His constant companion - the digital camera - isn't just a medium of storytelling. The way it moves and what Andrew sees through it tells us a lot about him."

In much of the movie Andrew is only "felt" as the unseen figure behind the lens, so it was critical to cast the role with an actor with a strong enough presence to register even when not in view. DeHaan, a noted theater actor, had the requisite chops to bring the pivotal role to life. "Dane is also a very naturalistic actor, which was important because we wanted the character and his actions to feel real," says Adam Schroeder.

"I really got excited about CHRONICLE because it just feels so new and different," says DeHaan. "It's believable, even though by the third act it's depicting some pretty incredible things."

Andrew's perspective - he's behind a camera, recording everything he sees - allowed DeHaan to take on additional, behind-the-camera "duties" and approach his performance as if he were actually operating the camera. At the same time, CHRONICLE director of photography Matthew Jensen and the film's camera operators had to think like actors.

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