THE HUNGER GAMES
The Hunger Games Phenomenon
Welcome to the intense reality of 16-year-old Katniss Everdeen, who must try
to survive - by sheer wits and will alone - a future world that is at once
high-tech and apocalyptic, glitzy and primal, unsettlingly dangerous and a
telltale mirror to our own. Unfolding entirely through Katniss' intimately
personal POV, THE HUNGER GAMES reveals how this miner's daughter from a dark
future transforms from a mere pawn in a lethal televised contest to a soulful,
sacrificing heroine who comes to realize that she has even more to protect and
fight for than her own family.
Few who have encountered Katniss have been able to resist the visceral
excitement of watching her find her strength, resolve and heart while under the
most extreme pressure a teenager could imagine. This was certainly true for the
production executives at Lionsgate Entertainment. For them, Katniss' journey
jumped off the pages of Suzanne Collins' literary sensation THE HUNGER GAMES
with such beauty and force, they felt instantly it deserved to be captured on
When producer Nina Jacobson had bought the rights to the novel in 2009, THE
HUNGER GAMES was just beginning to find a devoted audience. Jacobson brought it
to Lionsgate's film executives Joe Drake and Alli Shearmur, among other studio
executives, and they instantly became obsessed with Katniss and her journey. It
was only as development began that the popularity of the books swelled in tandem
with anticipation of the movie. Millions began to wonder how a filmmaker might
bring to life Collins' fresh twist on a sinister future and - most of all -
bring to life the complicated but gutsy heroine who made the book's adventure
feel so harrowingly true.
Ultimately, Lionsgate and Jacobson put together a team, headed by visually
bold director Gary Ross, that was equally compelled by Katniss' arc and how her
evolution as a human being touched millions of readers. The idea behind the
screen adaptation was to visually get inside Katniss' head, and ultimately her
heart, the same way that Collins had done in words. In that way, the film would
not only capture Katniss' battles with her fellow Tributes in the Games, but
would also mine the rich themes Collins had explored through Katniss'
life-changing experience: personal sacrifice, star-crossed love and the question
of where our current society might be headed.
Katniss' world was initially inspired, Collins says, by her fascination with
the ancient Greek myth of Theseus - who every nine years sent a phalanx of young
boys and girls into a deadly labyrinth to fight the monstrous Minotaur. It was
equally influenced by her experiences channel-surfing through an unsettling blur
of reality TV and war coverage, wondering what this mix of entertainment and
true-life terror boded for the future of society. Together, these two ideas
added up to the birth of Katniss Everdeen - who enters a violent and mythic
future from a perspective unlike any other. Her adventure in the Capitol of
Panem, once she takes her sister's place in the Games, might have the breathless
pace of a sci-fi thriller, but it is at heart about a girl coming to grips with
the moral dilemmas of power, injustice and self-preservation at the same time in
life as she is also discovering love, independence and her own identity.
A former children's TV writer and a mother of two, Collins found a way to
make Katniss' world feel so deeply personal that readers couldn't help but
imagine how they would feel in her place - as she is first driven to save her
sister, her family and herself, but then begins to see the glimmer of a chance
to make a difference for others across the shadowy landscape of Panem.
Collins was not afraid to take Katniss into risky terrain, because she knew
teens were already grappling with these questions in the world around them. In
her book proposal for the series, Collins wrote: "Although set in the future,
THE HUNGER GAMES explores disturbing issues of modern warfare such as who fights
our wars, how they are orchestrated, and the ever-increasing opportunities to
observe them being played out." Yet she also balanced that with Katniss' growth
and evolution into someone as courageous and principled as she is stubbornly
tenacious. She noted that Katniss, though initially "distrustful," takes from
this adventure "a deep capacity to love and sacrifice for those few people she
The success of THE HUNGER GAMES hinged on readers identifying with Katniss --
and that is exactly what happened. The book was soon being passed from
hand-to-hand, reader-to-reader, developing a devoted following that flowed into
the culture at large. Author Stephen King dubbed Katniss a "bow-and-arrow Annie
Oakley," The Atlantic Monthly called her "the most important female character in
recent pop cultural history" and The New York Times praised Collins'
"convincingly detailed world-building and her memorably complex and fascinating
heroine." Stephanie Myer, author of the TWILIGHT series, blogged: "The story
kept me up for several nights in a row, because even after I was finished, I
just lay in bed wide awake thinking about it."
Once word began to get out about the books and the impending movie, their
popularity began to spread like wildfire. When the film went into production,
there were about 8 million copies of the novels in circulation; by the time
production wrapped there were 12 million and now the number has exploded to over
26 million. The first novel has since spent more than 180 consecutive weeks and
more than three consecutive years to date on The New York Times bestseller list.
Collins went on to write two more best-selling books in the series, Catching
Fire and Mockingjay, which established Panem as a realm that has taken up
permanent residence in the popular imagination.
Early on, Collins made the decision to entrust Katniss and the re-creation of
her life in Panem to Lionsgate because she liked their hands-on approach,
accessibility and commitment to the spirit of the story across the entire top
tier of Lionsgate's film group. "Everyone we needed to get the movie going was
right there on the phone," she recalls. "The studio was small enough for that to
be possible and I felt it would be our best chance of seeing the story become a
Lionsgate made it their mission to show Collins that they would be faithful
to her vision for how to bring the book to the screen. "Suzanne thought we were
the House of SAW," recalls Joe Drake of his first phone call with the author,
"but we convinced her that we could sensitively and accurately handle the
material, citing our work on such films as the Academy AwardÂ®-nominated PRECIOUS
and Best Picture winner CRASH."
Nina Jacobson was equally impressed with Lionsgate's passion for the project.
"I felt so connected to it and I was certain that there was a great movie to be
made -- but one that had to be treated with care," she explains. "I made a very
passionate case to Suzanne that her vision needed to safe-guarded and Lionsgate
gave us their full support for a faithful adaptation that would not be about
blood and gore, but thematically driven."
Collins was likewise gratified by Jacobson's contributions. "Of all the
producers we met, I felt Nina had the greatest connection to the work," says the
author. "I believed her when she said she would do everything she could to
protect its integrity."
From the beginning, Drake, along with Lionsgate's President of Production
Alli Shearmur and marketing head Tim Palen, had lovingly referred to Suzanne as
'Mother Hunger Games.' Their most important aim was to stay true to their word
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