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About The Production
Screenwriter/director David O. Russell spent 18 months exhaustively researching the Gulf War and its aftermath before writing "Three Kings." The unorthodox filmmaker of the critically acclaimed features "Spanking the Monkey" and "Flirting with Disaster" felt compelled to have a complete understanding of this historical landscape before setting it on its ear.

"When I started investigating the war I only knew the official story, that we went to the Middle East and kicked Saddam Hussein out of Kuwait. But when I looked at it more closely, I saw that Hussein was left in power and George Bush encouraged the Iraqi civilians to rise up against Hussein and said ‘We'll help you do it.' And the people did rise up, and we didn't support them, and they got massacred by their own army," says Russell.

"I thought that this would be an interesting backdrop for a story about a band of soldiers who go into this surreal, corrupted Iraqi atmosphere after the war. They think Iraq is littered with the cell phones, luxury cars and booty stolen from rich Kuwait, and they want to steal something for themselves. But they suddenly find a situation that completely confronts their humanity and demands that they re-think what they're doing and who they are.

"Almost everything in the film is true," continues Russell. "Saddam did steal all the gold from Kuwait, and it was missing for a long time. When he had to return it, some was missing. Many American soldiers in Iraq didn't get to take part in the war there, yet they were called heroes. And many American soldiers were dissatisfied about leaving Saddam in power and seeing him beat up his own people."

Producer Charles Roven was very impressed with Russell's take on the basic material. "The story could have been told as strictly an action-adventure film, but David turned it into a dramatic story with a lot of action and a tremendous amount of comedy, a distinctive David Russell kind of comedy," says Roven.

"David always takes reality and puts a funny twist on it; he just has an off-center perspective on things. For instance, when Vig is about to plant a bomb inside a vent, he gets a splinter in his finger. You know, the thing we never count on is that splinter."

Producer Paul Junger Witt, who developed the original project and then approached David O. Russell to write and direct, adds, "David is a complex and original thinker. He juxtaposes the horror of war with a uniquely dark humor and sense of adventure. He has made an extraordinarily exciting film which actually portrays the reality of modern warfare, in which civilians are dying in greater numbers than soldiers."

Producer Ed McDonnell describes Russell's script as "very unusual because it takes these four guys' perceptions, tears down their attitudes and rebuilds them to the point where they understand that there's another human being at the end of every gun barrel."

McDonnell continues, "Many of the American soldiers were completely ignorant of the culture, politics, religion or lifestyle of the Iraqi people when they first went to the Middle East. Their attitude made it hard for them to respect what the war was really about in Iraqi terms. David's story is about the journey that a handful of these American soldiers made when their ignorance was replaced with understanding."

While doing his research on the film, poring over books, news articles and documentaries on the subject, Russell also met Sergeant Major Jim Parker, a soldier who further confirmed the actions of Archie Gates, and who became one of three military advisors on the film. Like the real-life Parker (who passed away while production on the film was underway), Archie Gates is a Special Forces officer. Parker fought in Vietnam, El Salvador and the Gulf War, and

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